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Cléo de 5 à 7 (1961)

Cleo From 5 to 7 (Cleo de cinq a sept), per its title, concentrates on two hours in the life of a woman. Those hours are desperate ones, in that Cleo, a pop singer, awaits the results of her tests for cancer. Director Agnes Varda stages the film in "real" rather than subjective time, its various episodes divided into chapters, using significant Tarot cards. During the allotted time, Cleo visits her friends, tries to sing her worries away, spends money, and cries. - by Hal Erickson - allmovie

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Big Jake (1971)

When his grandson (played by real-life son Ethan Wayne) is kidnapped by scurrilous baddie Richard Boone, Big Jake (John Wayne) sets out to deliver the $1 million ransom. On the off-chance that there'll be gunplay, Jake brings along his sons Patrick Wayne and Chris Mitchum. Maureen O'Hara plays Jake's estranged wife and Bruce Cabot provides comedy relief as a scraggly Indian Scout. - by Hal Erickson - allmovie

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Le Notti bianche (1957)

Shy young Marcelo Mastroianni ambles across a bridge one evening, where he meets a strange but alluring girl (Maria Schell) who is awaiting her lover. This chance acquaintance is the first strand in a complex web entrapping Mastroianni in a dreamlike world of flashbacks, flashforwards and false visions. The girl, suspecting that her lover is staying at a nearby hotel, asks Mastroianni to deliver a note to the errant swain. He agrees--then destroys the note, setting the plot in motion. Updated from a 19th century story by Dostoyevsky, White Nights (Le Notti Bianche) was later refilmed by Robert Bresson as Four Nights of a Dreamer. - by Hal Erickson - allmovie

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Ansikte mot ansikte (1976)

Liv Ullmann plays Dr. Jenny Isakson, a psychiatrist who is taking a vacation while her husband Dr. Erik Isakson (Sven Lindberg) is elsewhere. Haunted by visions of an old woman, Jenny suffers from profound, inexplicable depression. Desperately in search of a escape from her doldrums, she has an affair with married doctor Tomas Jacobi (Erland Josephson). This only serves to spark an attack of hysteria for Jenny. Again visited by hallucinations of the old woman, she attempts suicide. While hovering between life and death, she imagines she sees all the people who've been influential in her life, and rails against them for causing her neuroses. Only while recovering does she learn who the spectral old woman is and why she is undergoing so harrowing an emotional experience. Like his later Scenes From a Marriage, Bergman's Face to Face (Ansikte mot ansikte) originated as a multipart TV series, which was then pared down into a two-hour-plus feature film. - by Hal Erickson - allmovie

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Kozijat rog (1972)

The epic wartime story Kozijat Rog was the most-watched film ever shown in Bulgaria. Three million out of its eight million population saw it in 1972, when it was released. It tells the story of peasant resistance to the oppressive rule of the Ottoman Turks in the 17th century. The story concerns a goatherder and his family. Early on, the goatherder takes his flocks into the hills. On his returns, he discovers that his wife has been raped and killed by Turks while his young daughter watched. He burns their house and takes his daughter to a shack in the hills. As she grows up, he trains her like a man and imparts her with the secrets of fighting with a staff. Once trained, they begin a systematic quest for vengeance. - by Clarke Fountain - allmovie

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The Birth of a Nation (1915)

The most successful and artistically advanced film of its time, The Birth of a Nation has also sparked protests, riots, and divisiveness since its first release. The film tells the story of the Civil War and its aftermath, as seen through the eyes of two families. The Stonemans hail from the North, the Camerons from the South. When war breaks out, the Stonemans cast their lot with the Union, while the Camerons are loyal to Dixie. After the war, Ben Cameron (Henry B. Walthall), distressed that his beloved south is now under the rule of blacks and carpetbaggers, organizes several like-minded Southerners into a secret vigilante group called the Ku Klux Klan. When Cameron's beloved younger sister Flora (Mae Marsh) leaps to her death rather than surrender to the lustful advances of renegade slave Gus (Walter Long), the Klan wages war on the new Northern-inspired government and ultimately restores "order" to the South. In the original prints, Griffith suggested that the black population be shipped to Liberia, citing Abraham Lincoln as the inspiration for this ethnic cleansing. Showings of Birth of a Nation were picketed and boycotted from the start, and as recently as 1995, Turner Classic Movies cancelled a showing of a restored print in the wake of the racial tensions around the O.J. Simpson trial verdict. - by Hal Erickson - allmovie

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Flight Of The Phoenix (1965)

Based on Elleston Trevor's novel, The Flight of the Phoenix opens with a well-staged plane crash in the middle of the Sahara desert. The pilot (James Stewart) and the navigator (Richard Attenborough) do their best to maintain order among the survivors, a group of oil men not well-suited for survival in the desert wastes. Some of those who appear to be the most resourceful reveal themselves to be inept or cowardly, while other less prepossessing types -- notably bespectacled Standish (Dan Duryea) -- demonstrate surprising inner reserves of strength. The ultimate fate of the survivors rests in the hands of Heinrich Dorfmann (Hardy Kruger), who uses the wreckage of the old plane to design a new one. The Flight of the Phoenix was dedicated to the memory of veteran stunt pilot Paul Mantz, who was killed while filming the take-off scene of the new plane. - by Hal Erickson - allmovie

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Grand voyage, Le (2004)

A father/son road trip highlights the deep generational and cultural gaps between a modern young Arab preparing for his college entrance exams in France and his devoutly religious father who has demanded that his son drive him to Mecca in an intensely emotional drama from director Ismaël Ferroukhi. Réda (Nicolas Cazale) is determined to better himself by pursuing a higher education. When Réda's headstrong father arrives demanding that his son drive him to Mecca for a religious pilgrimage, the troubled young man's resentment towards grows more powerful than ever as a result of the elder's demand for respect for both himself and his journey. Now, as the reluctant pair wind their way from France to Saudi Arabia, the bond shared between them will be tested and their lives forever changed. - by Jason Buchanan - allmovie

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Boot, Das (1981)

Das Boot is one of the most gripping and authentic war movies ever made. Based on an autobiographical novel by German World War II photographer Lothar-Guenther Buchheim, the film follows the lives of a fearless U-Boat captain (Jurgen Prochnow) and his inexperienced crew as they patrol the Atlantic and Mediterranean in search of Allied vessels, taking turns as hunter and prey. There's very little plot, so the movie's power comes from both its riveting, epic battle scenes and its details of the boring hours spent waiting for orders or signs of the enemy. With the exception of one staunch Hitler Youth lieutenant, none of the crew is particularly loyal to the Nazis, and some are openly hostile toward their Fuhrer; this allows viewer sympathy with the men as they perform their laborious, monotonous duties in cramped, filthy quarters, or await death as depth charges explode all around the sub. (more)

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Ghosts... of the Civil Dead (1988)

Ghosts...of the Civil Dead is an Australian prison picture, ironically coproduced by a company calling itself "Correctional Services". The prison in question is a cruelly repressive institution, with a set of rules bordering on the Draconian. The inmates finally rebel in violent fashion against the regimented sadism of their captors. With its limited setting and its small cast, Ghosts...of the Civil Dead should have been easier to follow. The unnecessarily cluttered screenplay was written by the film's director, John Hillcoat. - by Hal Erickson - allmovie

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The Boondock Saints (1999)

Feeling that they are doing God's will, two Catholic men from Boston set out to kill everyone in this Reservoir Dogs-style vigilante thriller. Brothers Conner and Murphy MacManus (Sean Patrick Flanery and Norman Reedus) take to performing their divine duty against the Russian mob. They massacre a bunch of unsuspecting Mafioso in a scene of absurd violence, then they let more blood in a mass killing of porn-shop customers. Instead of getting thrown in jail, they are dubbed "saints" by the Boston Herald, and they are praised by brilliant, tortured, and gay FBI agent Paul Smecker (Willem Dafoe). - by Jonathan Crow - allmovie

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Blood Work (2002)

A retired detective must battle former colleagues and his own failing health in order to bring a murderer to justice in this action drama produced and directed by its star, Clint Eastwood. Terry McCaleb (Eastwood) was one of the best and most thorough detectives at the FBI's Southern California office, until a massive heart attack sidelined him from police work for good. Following a heart transplant which saved his life, McCaleb has resigned himself to living quietly on a houseboat for the rest of his days, observing a strict health regimen prescribed by his cardiologist, Dr. Bonnie Fox (Anjelica Huston). (more)

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The Portrait of a Lady (1996)

Jane Campion directed this expressive adaptation of the classic novel by Henry James. Isabel Archer (Nicole Kidman) is a young American woman who, after the death of her parents, has been sent to England to visit relatives. While her family's tragedy has left her penniless, Isabel's beauty has earned her the attentions of a number of eligible men. When Isabel turns down a proposal of marriage from the wealthy Lord Warburton (Richard E. Grant) because she does not love him, her cousin Ralph (Martin Donovan), who is also smitten with her, arranges for his father to leave her a fortune before succumbing to tuberculosis so that she may live as an independent woman. Isabel takes a tour of Europe, where she meets Madame Merle (Barbara Hershey), a jaded sophisticate and matchmaker who introduces her to Gilbert Osmond (John Malkovich), a widowed American artist living abroad. Isabel falls in love with Gilbert and they marry, but his sloth and opportunism soon begin to wear on her, and three years later she is desperate to get out of their relationship. The Portrait of a Lady also stars John Gielgud, Mary-Louise Parker, Christian Bale, and Shelley Winters. - by Mark Deming - allmovie

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White Hunter Black Heart (1990)

Something of a sleeper in its 1990 release, White Hunter, Black Heart is one of Clint Eastwood's most engaging films. It is based on Peter Vietel's novel about the location shoot of John Huston's immortal The African Queen. But the focus is never on Bogie and Hepburn. Egomaniacal director John Wilson (Eastwood) is far more interested in killing an elephant than in making a movie. His old friend and scriptwriter Pete Verrill (Jeff Fahey) and his producer, Paul Landers (George Dzundza), are on hand to try and talk him down from this pursuit. Eastwood's verbose, outlandish performance will be particularly remarkable to fans who tend to think of him as the soft-spoken tough guy. - by John Voorhees - allmovie

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Desperately Seeking Susan (1985)

A petite New Jersey housewife finds self-fulfillment through amnesia in this new wave comedy of errors set in New York's hip '80s downtown scene. Rosanna Arquette stars as Roberta, who turns to the personals for vicarious thrills after her four-year marriage to staid hot tub salesman Gary (Mark Blum) grows stale. Her favorite classified ads trace the romance of Jim (Robert Joy), a struggling musician, and Susan (Madonna), a SoHo vamp who's just narrowly escaped being murdered alongside one of her other boyfriends -- a gangster who recently stole some Egyptian jewelry. Through a series of complicated missteps, Roberta ends up losing her memory and convincing both herself and a broodingly handsome young man named Dez (Aiden Quinn) that she's the elusive, adventurous Susan. (more)

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Irréversible (2002)

Gaspar Noé's Irreversible utilizes the same storytelling technique used by Christopher Nolan in Memento and Harold Pinter in Betrayal. Consisting of about a dozen scenes, all shot in single takes, Irreversible charts a disturbing night in the life of Marcus (Vincent Cassel), but presents the events in reverse chronological order. The audience eventually learns how the beautiful Alex (Cassel's real-life partner Monica Bellucci) is involved. The film opens with a violent altercation at a gay sex club and works backward to explain how and why the violence occurred. The actors improvised the vast majority of the dialogue starting from a four-page story outline. Irreversible was screened in competition at the 2002 Cannes Film Festival. - by Perry Seibert - allmovie

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Guess Who's Coming to Dinner (1967)

Old-line liberals Matt and Christina Drayton (Spencer Tracy and Katharine Hepburn) have raised their daughter Joey (Katharine Houghton) to think for herself and not blindly conform to the conventional. Still, they aren't prepared for the shock when she returns home from a vacation with a new fiancé: African-American doctor John Prentice (Sidney Poitier). While they come to grips with whatever prejudices they might still harbor, the younger folks must also contend with John's parents (Roy Glenn Sr. and Beah Richards), who are dead-set against the union. To complicate matters, the older couple's disapproving maid (Isabel Sanford) and Christina's bigoted business associate (Virginia Christine) put in their two cents' worth. While Joey is determined to go ahead with the wedding no matter what people think, John refuses to consider marriage until he receives the unqualified approval of all concerned. The closing monologue delivered by Spencer Tracy turned out to be the last scene ever played by the veteran film luminary, who died not long after the production. The film was a success in the racially volatile year of 1967 and was nominated for 10 Academy Awards, including Best Picture, and won for Hepburn and screenwriter William Rose. - by Hal Erickson - allmovie

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The Shout (1978)

An asylum director begins telling a visitor to a cricket game the story of one of his "better" patients, Crossley (Alan Bates) who is able to compete. Some time previously, Crossley accosted Anthony (John Hurt), a composer, just after church and was for some reason invited to dinner. Once at the composer's home, he tells the story of his unusual upbringing among Australian Aborigines, and of the awful and strange gifts this has left him with. Among them is the ability to bring about another's death by using a certain kind of shout. The next morning, he begins to weave an erotic spell on the composer's wife Rachel (Susannah York), and then proves his killing ability on a sheep in a field. His influence increasingly disrupts their peaceful lives, until in a confrontation, the composer finds a way to best Crossley - but which results in his being placed in a mental institution. - by Clarke Fountain - allmovie

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Umberto D. (1952)

Frequently mentioned on lists of masterpieces of modern cinema, Vittorio De Sica's Umberto D. transforms a simple character study into a painfully poignant drama. Umberto is an aging former civil servant, now retired on his scant government pension. He spends his time in his tiny room in Rome, with only his longtime pet dog for companionship. His lonely life only grows worse when his limited income forces him to fall behind on his rent, leading his landlady to threaten him with eviction. He makes a desperate attempt to raise the needed money and protest the unfair treatment of senior citizens to the government, but he receives little response. His one chance at human contact, through brief conversations with a pregnant servant, proves sadly disappointing. Indeed, Umberto slowly becomes convinced that the situation may be hopeless, and he ultimately considers committing suicide. Considered one of the high points of Italian neo-realist cinema, Umberto D. provides the ultimate example of the movement's unadorned, observational style, which emphasizes the reality of events without calling attention to their emotional or dramatic impact. The unschooled, natural performances also contribute to the film's feeling of verisimilitude, particularly the lead performance by non-actor Carlo Battisti. - by Judd Blaise - allmovie

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Vivre sa vie (1962)

Vivre Sa Vie presents 12 episodes in the life of a young woman who turns to prostitution to pay her rent. Each episode features a theatrical scene preceded by a title that lists the characters in the episode, its location, and a brief summary of the action. As he would throughout his career, director Jean-Luc Godard uses prostitution as a metaphor for both economic life in general and the position of the filmmaker under capitalism. Vivre Sa Vie stars Anna Karina, who was married to Godard at the time. Her performance was largely improvised as Godard refused to give Karina her lines until just before each scene was shot. In order to maintain the freshness of the performances, Godard rarely made more than one take of each shot. The film is shot in stunning black-and-white by Raoul Coutard. The improvised acting and fragmented story give the viewer the impression of watching a documentary about a woman's life that is also a series of essays about aesthetics and economics. In addition, the film's camera style presents a catalogue of alternatives to conventional shooting strategies. - by Louis Schwartz - allmovie

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Ed Wood (1994)

Hollywood visionary Tim Burton pays homage to another Hollywood visionary, albeit a less successful one, in this unusual fictionalized biography. The film follows Wood (Johnny Depp) in his quest for film greatness as he writes and directs turkey after turkey, cross-dresses, and surrounds himself with a motley crew of Hollywood misfits, outcasts, has-beens, and never-weres. The real story, however, is his friendship with aging, morphine-addicted Bela Lugosi (Martin Landau), whom he tries to help stage a comeback. Landau's unforgettable Oscar-winning performance must be seen to be believed, as must Rick Baker's Oscar-winning makeup. While it would have been easy to make a film simply ridiculing the bumbling director, Burton instead focuses on his driving passion for filmmaking and his unwavering persistence in the face of ridicule and failure. Possibly the most surprising aspect of the film is the genuine sentiment with which Burton treats the relationship between Wood and Lugosi; his devotion to Lugosi is touching, as is Lugosi's final soliloquy -- an inane bit of dialogue from the hilariously bad Bride of the Monster that grows into a poignant metaphor for the actor's life and ultimate triumph of his spirit. Even the look of the film is right; it manages to preserve the air of one of Wood's own films while retaining a sense of artistry in much of the composition on screen (note the scene at the drug rehab where Lugosi endures a horrifying night of detox). In all, Ed Wood is a unique film -- at times side-splittingly funny; at others, tragic or even frightening -- and a heartfelt tribute to the love of movies, good and bad alike. - by Jeremy Beday - allmovie

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Il Grido (1957)

The grim, drab life of a man who labors in a Po Valley sugar refinery in northern Italy provides the center of this black-and-white drama from Michelangelo Antonioni. The worker lives with a married woman and their young daughter. One day, the woman learns that her legal spouse died. The refinery worker immediately proposes, but she spurns him in favor of another. Deeply depressed, the laborer begins to drift aimlessly across the northern wasteland with his daughter in tow. Along the way, he meets many people, including a woman from his past. Despite his many low-key adventures, he is unable to forget his daughter's mother and so returns to find that she lives in a new home with a new child. The story comes to its climax during a demonstration protesting the building of a U.S. airfield where the refinery stands. - by Sandra Brennan - allmovie

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Santa sangre (1989)

Circus horrors cross over into the mundane world in this terrifying, psychedelic film from Alejandro Jodorowsky, the man who brought you the infamous El Topo. Fenix (Adan Jodorowsky, the director's son) is the son of a circus strongman (Guy Stockwell) and an aerialist (Blanca Guerra). One night, the mother sees from her high perspective that her husband is fooling around with the tattooed lady. She later confronts him and throws acid on him in retaliation. He saws off her arms in return and kills himself. Fenix, witness to all this, runs away raving. Years later, Fenix (now played by older brother Axel Jodorowski) is released from an insane asylum by his armless mother. She wants to go on a murderous revenge spree, and maybe play a little piano, and she needs Fenix to be her arms for both tasks. Though the film has some of the hallucinatory qualities of Jodorowsky's earlier films, Santa Sangre doesn't quite have the same punch, particularly in terms of cerebral and emotional impact, despite its fine visuals. Santa Sangre is available in both R-rated and NC-17 edits. - by John Voorhees - allmovie

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Mariée était en noir, La (1968)

This Francois Truffaut thriller is based ona novel by William Irish (aka Cornell Woolrich), whose books had been adapted by Alfred Hitchcock on many previous occasions. Jeanne Moreau stars as a woman whose fiancé is nastily murdered by five men. Utilizing a series of disguises, the cool-customer Moreau tracks down all five culprits, sexually enslaves them, and then engineers their deaths. The ominous musical score was written by Bernard Herrmann, another frequent Hitchcock collaborator. The Bride Wore Black was initially released in France as La Mariee etait en Noir. - by Hal Erickson - allmovie

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Uomo delle stelle, L' (1995)

This Italian film was released in 1995 and slowly made its way around the world; its English title is The Star Maker. Like the Oscar-winning Cinema Paradiso by the same writer-director, Guiseppe Tornatore, it's drenched in the filmmaker's love for cinema. In Sicily in the early 1950s, Joe Morelli (Sergio Castellitto) is a con man who travels by truck from village to village posing as a film company representative. For a fee, he offers the rubes screen tests, using passages from a script of Gone with the Wind and encouraging their hopes with lines such as "Success awaits you!" Morelli's camera brings out people's hidden sides, including a soldier's war trauma, a woman's protests at being accused of prostitution, and a policeman who recites poetry. Begging for a chance at the stardom Morelli purportedly offers, Beata (Tiziana Lodato) asks Morelli to take her with him. - by Michael Betzold - allmovie

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Vie rêvée des anges, La (1998)

Elodie Bouchez and Natacha Regnier both won "Best Actress" honors at the 1998 Cannes Film Festival in this naturalistic drama about two women alienated from mainstream society. After a trio of short films, this is the feature directorial debut of 41-year-old French filmmaker Erick Zonca. With opening scenes reminiscent of Agnes Varda's Vagabond (1985), optimistic hobo Isa (Bouchez), with her life in her backpack, has a gritty existence on the road, going from one town to another through northern France, working factory jobs and selling cards. After she loses a garment-factory job, her withdrawn, near-catatonic co-worker Marie (Regnier) lets Isa share space in her Lille living quarters -- an apartment actually belonging to a hospitalized mother and daughter. Marie begins an affair with burly bouncer Charly (Patrick Mercado) before achieving an emotional breakthrough with sleazy, animalistic club-owner Chriss (Gregoire Colin). Meanwhile, Isa becomes fascinated with the girl who lived in the apartment but now lies in a coma at the hospital. The film combines handheld camerawork with a minimalist music score (Yann Thiersen) and documentary-like street sounds. - by Bhob Stewart - allmovie

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Amants du Pont-Neuf, Les (1991)

Paris has its share of homeless people, and some of them live in little communities near the oldest bridge in the city, the Pont-Neuf. In the story, street-person Alex (Denis Lavant) has passed out along a much-traveled road, and a taxi has slightly injured his leg, which was in the way of traffic. When he limps back to his usual resting spot under the bridge, he finds a surprisingly unspoiled young woman (Juliette Binoche) wearing an eye patch sleeping there and confronts her about it. They become acquainted, and he learns that she is Michèle, a painter from a good suburban family who has taken to the streets in order to practice her art uninterruptedly until the time when she will inevitably lose her vision to a degenerative eye disorder. Alex earns his booze money through doing street theater: fire-eating and gymnastic routines. The two become buddies and lovers, share many adventures while practicing the arts of street survival, and even have some fun along the way. So close do they become that, when Alex is imprisoned for a violent act of jealousy, a newly cured Michèle visits him in prison and promises to meet him on the bridge when he is released. Despite this film's setting among the poor, it cost a lot of money to make: one of the big costs was the need to build a replica of the Pont-Neuf. - by Clarke Fountain - allmovie

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Bodas de Sangre (1981)

Federico Garcia Lorca's revenge play Blood Wedding was adapted into a flamenco-ballet by Alfredo Manas. This piece, in turn, was committed to film by director Carlos Saura. Rather than adopt the usual soft-focus, "in performance" approach to his material, Saura aims his camera at a dress rehearsal, where the actors perform upon a bare stage. Choreographer and principal dancer Antonio Gades is interviewed backstage, as are several of his troupe members. Many consider Blood Wedding to be among the best dance films ever made. - by Hal Erickson - allmovie

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Roseaux sauvages, Les (1994)

This is a nostalgic French coming-of-age drama from director Andre Techine set in a Provence deeply divided over the war for independence being waged against French colonialism in Algeria. In 1962, Francois (Gael Morel) and Maite (Elodie Bouchez) are best friends and students at a boarding school in southwestern France, where Maite's mother Madame Alvarez (Michele Moretti) is an instructor. Francois is realizing he's gay because of his attraction to his working class roommate Serge (Stephane Rideau). Although Serge seduces Francois one night, he is not gay and is actually attracted to Maite. So is Henri (Frederic Gorny), a radically-politicized Algerian-born Frenchman who supports France in the war, an unpopular position, particularly with Madame Alvarez, a communist. The classroom sparring between Henri and Alvarez galvanizes the school, but then word comes that Serge's older brother has been killed in the war. Madame Alvarez, who loved him but refused to help him desert the military, becomes so unhinged that she must be sent away for treatment. Wild Reeds (1994) won four Cesars (France's equivalent of the Oscar), including the award for that year's Best Picture, beating such other notable films as Red (1994) and Queen Margot (1994). - by Karl Williams - allmovie

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Voleurs, Les (1996)

André Téchiné's complex and ambitious crime drama starts with a prologue in which a little boy is awakened in the middle of the night by two strangers bringing home his father's body. The story of the deceased, Ivan (Didier Bezace), and his involvement with car thieves unfolds in flashbacks as told by different people: Ivan's policeman brother Alex (Daniel Auteuil); Juliette (Laurence Côte), a young woman involved with the both brothers; and Marie (Catherine Deneuve), an unhappy philosophy professor in love with Juliette. Auteuil and Deneuve played siblings three years earlier in Téchiné's similarly rueful family drama Ma Saison Préferée. - by Yuri German - allmovie

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Clan des Siciliens, Le (1969)

Roger Santet (Alain Delon) is a convicted murderer sprung from prison by the Sicilian clan headed by the aging Vittorio Manalese (Jean Gabin). They conspire to steal a large cache of jewels from an exhibit in Rome. As they are preparing for the heist, the mobster's American friend Tony Nicosia (Amedeo Nazzarri) suggests that a better way to get the rocks would be to hijack the transport plane while it is en route to New York. The dogged inspector Le Goff (Lino Ventura) is using all the available resources to thwart their plans. Though the heist itself is successful, Santet finds himself trapped by the mob because of his fling with Manalese's daughter-in-law (Irina Demick). - by Yuri German - allmovie

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Zerkalo (1975)

The award-winning director Andrei Tarkovsky, (one of his better known films is Andrei Rublev), the son of a famous Russian poet, was born in 1935 and grew up in and around Moscow during the Second World War. This non-linear autobiographical film is considered by many Russian-speakers to be his best film and is his most personal meditation on time, history and the Russian countryside. In a series of episodes and images, he captures the mood and feeling of the period just before, during and after the war. Lyrical reminiscences of his mother and of his father's poetry figure large in the film, along with extraordinary images of nature. Combining black-and-white and color work, with some unusual documentary footage, this highly regarded movie is structured with the logic of a dream. - by Clarke Fountain - allmovie

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Absolute Power (1997)

In this thriller, an aging cat burglar becomes a crusader embroiled in a deadly cat-and-mouse game involving murder and a government cover-up. Adapted by distinguished scenarist William Goldman from a novel by David Baldacci and featuring a powerful all-star cast, the story works at different levels, not only as a straight-forward thriller but also as an insightful look at the love between the old thief and his estranged daughter, a highly successful prosecuting attorney. The trouble begins when ex-con Luther Whitney (Clint Eastwood, who also directed) decides to pull off one last heist before retiring. Just as he finishes looting the vault of a well-fortified mansion, a drunken couple enters the adjoining bedroom apparently eager to start making love. But something goes awry and a violent tussle ensues that abruptly ends when gun-wielding men bust in and shoot down the woman. During the ensuing chaos, Luther slips out. (more)

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Hombre mirando al sudeste (1986)

This Argentine film freshens up an old cinematic device: juxtaposing science fiction and religion. A Buenos Aires mental hospital is thrown into an uproar when a mysterious male patient appears out of nowhere. As the psychiatrists grill the stranger, he sticks to a story that suggests that his origins are far from earthly. In fact, if his seemingly supernatural powers are any proof, he may well be a space alien. Unable to comprehend the incomprehensible, the authorities decide to lock the visitor away from public view, maybe even put an end to his life--and the analogies to Christ and Christianity are lost on no one. - by Hal Erickson- allmovie

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Taxi (1996)

In this grim crime melodrama, fascist Spanish taxi drivers unite to become a xenophobic vigilante force dedicated to eradicating all undesirables from the streets of Madrid. Velasco is the leader of the murderous cabbie clan that is comprised of Dani and his father Reme, the skinhead Nino and the nearly insane ex-policeman Calero. Velasco's daughter Paz secretly desires Dani, but her dreams are dashed when she learns about the nefarious activities of Dani and her father. The gang's self-appointed mission is to kill all undesirable foreigners (Arab immigrants are a favorite target), gays and lesbians, blacks and drug addicts. Internal turmoil comes from the burgeoning romance between Paz and Dani coupled with Dani's gradual realization that "the family" may be in the wrong. - by Sandra Brennan - allmovie

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Giornata particolare, Una (1977)

The film is set during the late 1930s: the occasion is the first meeting between Mussolini and Hitler. Left alone in her tenement home when her fascist husband runs off to attend the historic event, Sophia Loren strikes up a friendship with her homosexual neighbor Mastroianni. As the day segues into night, Loreon and Mastroianni develop a very special relationship that will radically alter both of their outlooks on life. Beyond the "sensational" aspect of virile Marcello Mastoianni playing a gay character, A Special Day garnered a great deal of American attention when the stars promoted the film on the very first installment of PBS's Dick Cavett Show (that's the one in which Mastroianni might have said the F-word). - by Hal Erickson - allmovie

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Chambre des Officiers, La (2001)

A man who thinks he's found an easy ride through the Army during World War I has his world turned upside down when facial injuries render him unrecognizable in this wartime drama. In the summer of 1914, Adrien Fournier (Eric Caravaca) is an engineer conscripted into the French Army, where he is made a lieutenant and assigned to join a group of soldiers helping to design and build a bridge to move troops near the front lines. While scouting a suitable location for the bridge, Fournier and his fellows are caught in the middle of an attack, and a shell explodes in his face. Fournier survives the attack, but while his limbs and his body suffer only minimal damage, his face is torn to shreds -- only landing in the mud prevents him from bleeding to death (the dried muck seals off a number of key blood vessels severed by the blast). (more)

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Dernier Métro, Le (1980)

The Last Metro is set virtually in its entirety in a crumbling French theatre. During the Nazi occupation, Jewish director Lucas Steiner (Heinz Bennent) hides in the basement of the theatre, while his wife Marion (Catherine Deneuve) stars in its latest production. Marion is enamored of leading man Bernard Granger (Gerard Depardieu), and he with her, but they resist temptation out of respect to her husband. When she is given a choice between loyalty to her husband and to her countrymen, her dilemma offers two logical solutions--both of which are acted out on stage during the play. This Pirandellian ending aside, The Last Metro is one of the few films to accurately capture the feeling of what it was like to live in Paris under the thumb of the Nazis. - by Hal Erickson - allmovie

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Mean Streets (1973)

"You don't make up for your sins in church; you do it in the streets; you do it at home. The rest is bulls--t, and you know it." Returning to the autobiographical milieu of his 1968 debut Who's That Knocking at My Door? for his third feature, Martin Scorsese examined the daily struggles of a wannabe hood to keep his morals straight on the streets of Little Italy. Driven equally by his wish to become a respectable gangster like his uncle (Cesare Danova) and his desire to live his life like St. Francis, Charlie (Harvey Keitel) takes on his energetically unhinged friend Johnny Boy (Robert De Niro) as his own personal penance, intervening to get Johnny Boy to pay off a debt to the local loan shark Michael (Richard Romanus). Despite his promises to his epileptic girlfriend Teresa (Amy Robinson) that they will move out of Little Italy once he strengthens his position in his uncle's world, Charlie's involvement with Johnny Boy further ensnares him in the neighborhood. When Johnny Boy decides to mouth off to Michael rather than pay him, Charlie, Johnny Boy, and Teresa try to flee Michael's murderous anger (and an assassin played by Scorsese), forcing Charlie to realize that the rules of the streets do not mesh with absolution. (more)

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Tesis (1996)

The debut feature from Spanish wunderkind Alejandro Amenábar (Open Your Eyes, The Others), Tesis is a thriller starring Ana Torrent as Ángela Márquez, a film student who, while researching for a thesis paper on violence in cinema, stumbles upon a snuff film featuring the murder of a former student at the university. Enlisting the help of classmate and violent-movie buff Chema (Fele Martínez), Angela begins an investigation into the crime that leads them to several suspects. One of them is Bosco (Eduardo Noriega), a handsome classmate to whom Angela finds herself attracted, much to the chagrin of Cheme. Tesis was the recipient of seven awards at the 1997 Goya Awards including Best Film. - by Matthew Tobey - allmovie

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Paradise Road (1997)

Based on the testimony of survivors, this historical drama recounts the WWII heroism of female prisoners of war. (Glenn Close) stars as Adrienne Partiger, a society doyenne who flees Singapore with other expatriate women, mostly the wives of servicemen, when Japanese forces invade in 1942. When their gunboat is sunk in an air attack, the survivors wash ashore on Japanese-held Sumatra. The women are interned in a grim POW camp where punishments for even minor infractions are extreme. With the help of a missionary (Pauline Collins), Partiger corrals the women, including a tough American (Julianna Margulies), an Australian nurse (Cate Blanchett) and a young wife (Jennifer Ehle) into a musical group. Since singing is not allowed, the a cappella chorus dubs itself "a vocal orchestra" and is tolerated -- if barely -- by their Japanese captors. Though living conditions are squalid, food is scarce, and a thin sliver of soap inspires a shower brawl, the music keeps spirits uplifted and a Jewish-German doctor (Frances McDormand) provides some medical aid. Writer-director Bruce Beresford interviewed real-life participants in similar POW musical groups. Some provided, from memory, sheet music of the pieces they performed, which were used in the film. - by Karl Williams - allmovie

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Besieged (1998)

Bernardo Bertolucci directed this Italian drama co-scripted by Bertolucci and Clare Peploe from a story by British-born writer James Lasdun (co-scripter of Jonathan Nossiter's Sunday). In Rome, reclusive British composer Jason Kinsky (David Thewlis) lives in the building he inherited from his aunt, while his cleaning woman Shandurai (Thandie Newton) resides in the basement, studying medicine. One day, Kinsky tells Shandurai that he loves her and will do anything for her, so she asks him to free her husband, a political prisoner back in Africa. To acquire funds for the man's release, Kinsky begins selling his possessions, including his piano, while Shandurai hangs out with her friend Agostino (Claudio Santamaria), a man angling to get her into bed. Location filming took place in Italy and Kenya. Shown at the 1998 Toronto Film Festival and the 1998 San Sebastian Film Festival. - by Bhob Stewart - allmovie

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The Yakuza (1974)

Between making They Way We Were and Three Days of The Condor, Sydney Pollack directed this little-seen thriller from a script by Paul Schrader and Robert Towne. The Yakuza stars Robert Mitchum as Harry Kilmer, a former soldier who returns to Japan to help rescue the daughter of his friend George Tanner (Brian Keith). Once he arrives in the country, Kilmer discovers that the daughter has been kidnapped by the Japanese mafia, called the Yakuza. In order to battle the ruthless organized crime outfit and save the girl, Kilmer finds himself left with few options and reluctantly enlists the help of his old nemesis, Tanaka (Ken Takakura). The film was later re-titled The Brotherhood of the Yakuza and was originally shown in a 123-minute cut. - by Matthew Tobey - allmovie

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Christiane F. - Wir Kinder vom Bahnhof Zoo (1981)

Helmed by director Uli Edel, this West German coming-of-age drama is the tale of an aimless teen-aged girl, played by Natja Brunkhorst. In search of kicks, Brunkhorst falls in with junkie/pusher Thomas Haustein. Christiane F boasts a generous chunk of concert footage featuring David Bowie. - by Hal Erickson - allmovie

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Jean de Florette (1986)

Co-adapted by director Claude Berri from a novel by Marcel Pagnol, this hugely successful French historical drama concerns a bizarre battle royale over a valuable natural spring in a remote French farming community. City dweller Jean Cadoret (Gérard Depardieu) assumes ownership of the spring when the original owner is accidentally killed by covetous farmer Cesar Soubeyran (Yves Montand). Soubeyran and his equally disreputable nephew Ugolin (Daniel Auteuil) pull every dirty trick in the book to force Cadoret off his land, but the novice farmer stands firm. Although the Soubeyrans appear to gain the upper hand, the audience is assured that they will eventually be foiled by the vengeful daughter of the spring's deceased owner -- thus setting the stage for the film's equally successful sequel, Manon of the Spring. - by Hal Erickson - allmovie

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Manon des Sources (1986)

Manon of the Spring (Manon des Sources) has also been released as Jean de Florette II in the US, as it is a sequel to Claude Berri's Jean de Florette. Both films are drawn from the same source: Filmmaker/novelist Marcel Pagnol's 1952 rural romance, also titled Jean de Florette. Manon (Emmanuelle Beart), now fully grown, is a shepherdess who prefers to keep her distance from the local villagers. She is determined to uncover the truth behind the death of her father (played by Gerard Depardieu in Jean de Florette) and to wreak vengeance on the men she holds responsible. The more sympathetic of the two men, Ugolin (Daniel Auteil), is in love with Manon, but this does not weaken her resolve. She causes the village's water supply to diminish, blaming this action upon Ugolin and his duplicitous co-conspirator Cesar (Yves Montand). The upshot of this vengeful behavior ends in tragedy for all concerned. The joint winners of eight French Cesar awards, Jean de Florette and Manon of the Spring were released to the U.S. in tandem in 1987. - by Hal Erickson - allmovie

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Fille sur le pont, La (1999)

A woman's long history of bad luck starts to change when she puts her life on the line in this romantic drama. Adèle (Vanessa Paradis) is a 22-year-old woman whose life seems to have been a long series of miscalculations; she's never had much luck with love, life, or career, and is standing on a bridge overlooking the Seine one night, contemplating suicide, when she's approached by a man named Gabor (Daniel Auteuil). Gabor announces he's a knife-thrower who needs a new human target for his act. Would Adèle be interested? Adèle's immediate answer is to jump into the water, but after Gabor fishes her out and gets her to a hospital, she has a change of heart and the pair are soon on their way to Monaco, where Gabor gets a spot at a circus. Adèle and Gabor make a great team; he's good with knives, she's young and beautiful, and suddenly Adèle's luck starts to change. She visits a casino one night and comes home with a fortune, and even when Gabor throws blindfolded, she walks away without so much as a scratch. However, an obvious chemistry is brewing between the two, which leads to a dilemma: Gabor has a strict policy of never getting romantically involved with his partners. Will he make an exception, or is Adèle's new run of luck coming to an end? - by Mark Deming - allmovie

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Werckmeister Harmonies (2000)

Bela Tarr follows up on his seven-hour epic Satantango, considered by some critics as one of the finest films of the 1990s, with this elegant, haunting work about the cycles of violence that have dogged Eastern European history. Jancos (Lars Rudolph) is a wide-eyed innocent who works as an occasional postal worker and as a caretaker for Mr. Ezster (Peter Fitz). An outsider and a visionary, he marvels at the miracles of creation, from the planets rotating in the heavens to the sundry animals on earth. One day, a circus featuring jars full of medical anomalies and a massive dead whale entombed in a corrugated metal trailer visits Jancos' economically depressed village. Another more sinister attraction is a shadowy figure dubbed "The Prince," whose nihilist rants incite the town's disaffected to riot. Not long afterwards, Mrs. Ezster (Hanna Schygulla) cajoles her estranged husband to join a citizen's action group against the circus, threatening to move back into his house if he doesn't play along. Tension in the town builds until, after one of The Prince's hate-filled speeches, throngs of angry men with blunt instruments ransack and brutalize a men's hospital ward. When the dust clears, lives are irrevocably changed. This film was screened at the 2000 Toronto Film Festival. - by Jonathan Crow - allmovie

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Breaking the Waves (1996)

With Breaking The Waves, director Lars von Trier fashions an often disturbing tale of the singular power of love. Bess (the Oscar-nominated Emily Watson) is a naïve, borderline simple young woman who lives in a Scottish coastal town ruled by the religious doctrine of its council of elders. Recovering from a mental breakdown caused by the death of her brother, Bess marries a rough yet compassionate and attentive oil rig worker named Jan (Stellan Skarsgård). For a brief time, the couple enjoys peaceful wedded bliss, with the worldly Jan introducing Bess to the mysteries of sex. Jan must soon return to his job on the rig, however, where he is paralyzed from the neck down in a freak accident. (more)

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Le Pacte des Loups (2001)

French legend has it that a creature known as the Beast of Gevaudan -- a huge, wolf-like monster -- was responsible for the violent deaths of over 100 persons in the mid-18th century, and this horror fantasy blends the lore of this fabled beast with a story of two men who set out to capture it. After a number of mutilated corpses begin appearing across the French countryside, naturalist Chevalier Gregoire de Fronsac (Samuel Le Bihan) is dispatched by the King to find and capture the animal responsible for the killings. (more)

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My Left Foot: The Story of Christy Brown (1989)

An alternative to the general run of "triumph over the odds" biopics, My Left Foot is the true story of Irish cerebral palsy victim Christy Brown. Paralyzed from birth, Brown (played by Hugh O'Conor as child and Daniel Day-Lewis as an adult) is written off as retarded and helpless. But Christy's indomitable mother (Brenda Fricker) never gives up on the boy. Using his left foot, the only part of his body not afflicted, Brown learns to write. He grows up to become a well-known author, painter, and fundraiser, and along the way falls in love with nurse Mary Carr (Ruth McCabe). There's no sugarcoating in My Left Foot: Brown, a heavy drinker, was by no means lovable. Day-Lewis and Fricker both won Academy Awards for their performances, and the film was nominated for Best Picture, Best Director, and Best Adapted Screenplay. Also notable are the late Ray McAnally in his next-to-last film role as Christy's father, and venerable Cyril Cusack as Lord Castlewelland. Director Jim Sheridan co-scripted with Shane Connaughton from Christy Brown's autobiography. - by Hal Erickson - allmovie

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Fando y Lis (1968)

Fando and Lis are a young couple who embark on a journey to the city of Tar. Lis is handicapped and is aided by Fando who pulls her along in a wagon or carries her in his arms as they encounter a series of offbeat characters and situations: a man plays a burning piano in a dump surrounded by dancers. A girl eats a rose, and three men and a child huddle under an umbrella as someone cracks eggs over their heads. The couple frequently quarrels as they struggle to complete their symbolic journey. - by Dan Pavlides - allmovie

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Guernica (1950)

On April 27, 1937, in the midst of a grueling and increasingly brutal Spanish Civil War, the ancient Basque town of Guernica was subjected to an extended duration bombardment campaign by German forces in an unrelenting aerial campaign designed to demoralize the collective psyche of the Basque nation and to also show camaraderie (and military alliance) with the nationalists under Generalissimo Francisco Franco. Composed of a series of fractured, compartmentalized images that traces the evolution of the paintings and sculptures of cubist artist Pablo Picasso from 1906 to 1937 (leading to his masterwork Guernica) set against an evocative narrative ode written by French lyrical poet Paul Éluard and recited in an off-screen performance reading by Jacques Pruvost and María Casarès, Guernica is a thoughtful and passionate meditation on barbarism, warfare, and human resilience. Alain Resnais incorporates ingenious, rapid cut editing strategies and fragmented, subset images that not only visually integrate the principles of cubism in cinematic form, but moreover, reinforce the film's overarching, thematic structure of multifacetedness that subtly - but inescapably - reflect on Spain's (then) continued struggle under fascism at the end of World War II: (more)

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Sur, El (1983)

Juan has been haunted by memories of his family's southern ranch for a long time but has not found any good reasons to revisit it for many years now. It was a favorite place in his childhood. Recently, he has had dreams in which he is stabbed to death there. When he falls and receives some serious head injuries, his doctors perform surgery on him and then tell him to take a long rest. This is just the excuse he needs to visit the ranch, and he heads south to encounter whatever fate awaits him there. - by Clarke Fountain - allmovie

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Viridiana (1961)

After 25 years' exile, Luis Buñuel was invited to his native Spain to direct Viridiana -- only to have the Spanish government suppress the film on the grounds of blasphemy and obscenity. Regarded by many as Buñuel's crowning achievement, the film centers on an idealistic young nun named Viridiana (Silvia Pinal). Just before taking her final vows, Viridiana is forced by her mother superior to visit her wealthy uncle Don Jaime (Fernando Rey), who has "selflessly" provided for the girl over the years. She has always considered Don Jaime an unspeakable beast, so she is surprised when he graciously welcomes her into his home. Just as graciously, he sets about to corrupt Viridiana beyond redemption -- all because the girl resembles his late wife. It is always hard to select the most outrageous scene in any Buñuel film; our candidate in Viridiana is the devastating Last Supper tableau consisting of beggars, thieves, and degenerates. As joltingly brilliant today as on its first release, Viridiana won the Golden Palm at the Cannes Film Festival. - by Hal Erickson - allmovie

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Au Hasard Balthazar (1966)

A profound masterpiece from one of the most revered filmmakers in the history of cinema, director Robert Bresson’s Au hasard Balthazar follows a much abused donkey, Balthazar, whose life strangely parallels that of his first owner, Marie. A beast of burden, suffering the sins of man, Balthazar nevertheless nobly accepts his fate. Through Bresson’s unconventional approach to composition, sound, and narrative, this seemingly simple story becomes a moving religious parable of purity and transcendence.

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Ivan's Childhood (1962) (Ivanovo Detstvo)

This debut feature-length wartime drama by noted Russian director Andrei Tarkovsky was a remarkable introduction to a remarkable career. The poetic touch of Tarkovsky's hand and his measured pace is already evident as the tale of the young, twelve-year-old Ivan (Nikolai Burlyayev) evolves. Ivan is orphaned after his village is wiped out by an invading Nazi army and as a consequence, he ends up in a prison camp. The inventive lad escapes and is adopted by Captain Kholin (Valentin Zubkov), whose intention is to send the boy away to school. But Ivan is determined to help the Russian army and so he starts spying on the German forces. Because of his tender years he manages to pass freely back and forth behind enemy lines -- at least for awhile. This exemplary film won the top prize, the Golden Lion award at the 1962 Venice Film Festival and also won the Grand Prize at the 1962 San Francisco Film Festival. - by Eleanor Mannikka - allmovie

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Himmel über Berlin, Der (1987)

Damiel (Bruno Ganz) and Cassiel (Otto Sander) are angels who watch over the city of Berlin. They don't have harps or wings (well, they usually don't have wings) and they prefer overcoats to gossamer gowns. But they can travel unseen through the city, listening to people's thoughts, watching their actions and studying their lives. While they can make their presence felt in small ways, only children and other angels can see them. They spend their days serenely observing, unable to interact with people, and they feel neither pain nor joy. One day, Damiel finds his way into a circus and sees Marion (Solveig Dommartin), a high-wire artist, practicing her act; he is immediately smitten. After the owners of the circus tell the company that the show is out of money and must disband, Marion sinks into a funk, shuffling back to her trailer to ponder what to do next. As he watches her, Damiel makes a decision: he wants to be human, and he wants to be with Marion, to lift her spirits and, if need be, to share her pain. Wim Wenders' Wings of Desire is a remarkable modern fairy tale about the nature of being alive. The angels witness the gamut of human emotions, and they experience the luxury of simple pleasures (even a cup of coffee and a cigarette) as ones who've never known them. From the angels' viewpoint, Berlin is seen in gorgeous black-and-white -- strikingly beautiful but unreal; when they join the humans, the image shifts to rough but natural-looking color, and the waltz-like grace of the angels' drift through the city changes to a harsher rhythm. Peter Falk appears as himself, revealing a secret that we may not have known about the man who played Columbo, and there's also a brief but powerful appearance by Nick Cave & the Bad Seeds. Wings of Desire hinges on the intangible and elusive, and it builds something beautiful from those qualities. - by Mark Deming - allmovie

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Artemisia (1997)

This historical drama is based on the true story of Artemisia Gentileschi, the first woman to achieve success as a painter. In 17th century Italy, noted artist Orazio Gentileschi (Michel Serrault) is a portrait artist enjoying a certain degree of success and acclaim. His 17-year-old daughter Artemisia (Valentina Cervi) would like to follow the same path as her father, but women are not allowed to pursue careers in the arts, and the convent where she attends school forbids students to sketch nude models. Eager to learn, Artemisia begins posing for herself by use of a mirror; her father discovers her secret but is enthusiastic about her work, and he takes her out of school so he can tutor her in painting and drawing. Orazio forbids her to draw male nudes, but curious Artemisia persuades local men to serve as her models, and her work steadily improves. In time, Artemisia and her work come to the attention of Agostino Tassi (Miki Manojovic), a friend of her father who is a well-known painter and something of a rake. Tassi is impressed by both the art and the artist, but when he and Artemisia begin a love affair, he finds himself on trial for rape. - by Mark Deming -allmovie

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Fiddler on the Roof (1971)

Norman Jewison's adaptation of the long-running Broadway musical is set in the Ukranian ghetto village of Anatevka (the film was actually lensed in Yugoslavia). Israeli actor Topol repeats his London stage role as Tevye the milkman, whose equilibrium is constantly being challenged by his poverty, the prejudicial attitudes of non-Jews, and the romantic entanglements of his five daughters. Whenever the weight of the world becomes too much for him, Tevye carries on lengthy conversations with God, who does not answer but is at least more willing to listen than the milkman's remonstrative wife Golde. After arranging a marriage between his oldest daughter Tzeitel and wealthy butcher Lazar Wolf, Tevye is forced to do some quick rearranging when the girl falls in love with poor tailor Motel Kamzoil. Fancying himself more broad-minded than his gentile oppressors, Tevye cannot accept the notion that his other daughter Chava would want to marry Fyedka, a non-Jew. And after shouting the praises of "tradition," Tevye must change his tune-and his entire life-when he and his neighbors are forced out of Anatevka by the Czar's minions. Topol's co-stars include Norma Crane as Golde, Yiddish theater legend Molly Picon as Yente the matchmaker, and Leonard Frey as Motel. - by Hal Erickson - allmovie

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Miller's Crossing (1990)

Joel and Ethan Coen's third collaboration, the gangster film Miller's Crossing, stars Gabriel Byrne as Tom Reagan, the right-hand man of big-city Irish mob boss Leo (Albert Finney). The film opens with Italian mobster Johnny Caspar (Jon Polito) and his second in command Eddie Dane (J.E. Freeman) informing Leo and Tom that they are going to kill bookie Bernie Bernbaum (John Turturro) because he has been revealing Caspar's fixed fights to other gamblers. Leo informs Caspar that Bernie pays for protection and is not to be touched. After the Italians leave in a huff, Tom informs Leo that he should give up Bernie. Tom and Leo are both involved with Verna (Marcia Gay Harden), Bernie's sister. After a failed hit on Leo starts a full-scale mob war, Tom reveals to Leo the truth about his relationship with Verna. This leads to a falling-out between the pair. Tom goes to work for Caspar, but in truth, he is still loyal to Leo. Tom figures out how to manipulate all of the situations so that Leo survives, but this may cost Tom his relationship with Verna. - by Perry Seibert - allmovie

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A Face in the Crowd (1957)

The meteoric popularity of Arthur Godfrey was allegedly the basis of the 1957 drama Face in the Crowd. Andy Griffith makes a spectacular film debut as Lonesome Rhodes, a philosophical country-western singer discovered in a tanktown jail by television talent coordinator Patricia Neal and her assistant Walter Matthau. They decide that Rhodes is worthy of a TV guest spot, the result being that the gangly, aw-shucks entertainer becomes an overnight sensation. As he ascends to stardom, Rhodes attracts fans, sponsors and endorsements by the carload, and soon he is the most powerful and influential entertainer on the airwaves. Beloved by his audience, Rhodes reveals himself to his intimates as a scheming, power-hungry manipulator, with Machiavellian political aspirations. He uses everyone around him, coldly discarding anyone who might impede his climb to the top (one such victim is sexy baton-twirler Lee Remick, likewise making her film debut). (more)

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Badlands (1973)

"He wanted to die with me and I dreamed of being lost forever in his arms." A young couple goes on a Midwest crime spree in Terrence Malick's hypnotically assured debut feature, based on the 1950s Starkweather-Fugate murders. Fancying himself a rebel like James Dean, twentysomething Kit (Martin Sheen) takes off with teen baton-twirler Holly (Sissy Spacek) after shooting her father (Warren Oates) when he tries to split the pair up. Once bounty hunters discover their riverside hiding place, Kit and Holly head toward Saskatchewan, leaving dead bodies in their wake. As the law closes in, however, Holly gives herself up -- but Kit doesn't hold it against her, as he basks in his new status as a momentary folk hero. (more)

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The Man Who Shot Liberty Valance (1962)

Like Pontius Pilate, director John Ford asks "What is truth?" in The Man Who Shot Liberty Valance--but unlike Pilate, Ford waits for an answer. The film opens in 1910, with distinguished and influential U.S. senator Ransom Stoddard (James Stewart) and his wife Hallie (Vera Miles) returning to the dusty little frontier town where they met and married twenty-five years earlier. They have come back to attend the funeral of impoverished "nobody" Tom Doniphon (John Wayne). When a reporter asks why, Stoddard relates a film-long flashback. He recalls how, as a greenhorn lawyer, he had run afoul of notorious gunman Liberty Valance (Lee Marvin), who worked for a powerful cartel which had the territory in its clutches. Time and again, "pilgrim" Stoddard had his hide saved by the much-feared but essentially decent Doniphon. It wasn't that Doniphon was particularly fond of Stoddard; it was simply that Hallie was in love with Stoddard, and Doniphon was in love with Hallie and would do anything to assure her happiness, even if it meant giving her up to a greenhorn. When Liberty Valance challenged Stoddard to a showdown, everyone in town was certain that the greenhorn didn't stand a chance. (more)

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The Ring (2002)

A disturbing videotape appears to hold the power of life and death over those who view it in this offbeat thriller. A strange videotape begins making the rounds in a town in the Pacific Northwest; it is full of bizarre and haunting images, and after watching it, many viewers receive a telephone call in which they are warned they will die in seven days. A handful of teenagers who watched the tape while spending a weekend at a cabin in the mountains scoff at the threat, but as predicted, they all die suddenly on the same night. Rachel Keller (Naomi Watts), the aunt of one of the ill-fated teens, is a journalist who has decided to investigate the matter and travels West with her young son, Aidan (David Dorfman), a troubled child who has been drawing pictures of strange and ominous visions. Rachel managed to find the cabin in the woods and watches the video herself; afterward, she receives the same phone call, and realizes she must solve the puzzle of the video and the person or persons behind it within a week. Rachel turns to her ex, Noah (Martin Henderson), an expert in video technology, who at first is convinced the story is a hoax until he digs deeper into the mystery. The Ring was adapted from a 1996 Japanese film by Hideo Nakata, which became a massive box-office success in Asia and spawned two sequels. - by Mark Deming - allmovie

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Sweet Smell of Success (1957)

Ernest Lehman drew upon his experiences as a Broadway press agent to write the devastating a clef short story "Tell Me About Tomorrow." This in turn was adapted by Lehman and Clifford Odets into the sharp-edged, penetrating feature film Sweet Smell of Success. Burt Lancaster stars as J. J. Hunsecker, a Walter Winchell-style columnist who wields his power like a club, steamrolling friends and enemies alike. Tony Curtis co-stars as Sidney Falco, a sycophantic press agent who'd sell his grandmother to get an item into Hunsecker's popular newspaper column. Hunsecker enlists Falco's aid in ruining the reputation of jazz guitarist Steve Dallas (Martin Milner), who has had the temerity to court Hunsecker's sister Susan (Susan Harrison). Falco contrives to plant marijuana on Dallas, then summons corrupt, sadistic NYPD officer Harry Kello (Emile Meyer), who owes Hunsecker several favors, to arrest the innocent singer. The real Walter Winchell, no longer as powerful as he'd been in the 1940s but still a man to be reckoned with, went after Ernest Lehman with both barrels upon the release of Sweet Smell of Success. Winchell was not so much offended by the unflattering portrait of himself as by the dredging up of an unpleasant domestic incident from his past. While Success was not a success at the box office, it is now regarded as a model of street-smart cinematic cynicism. The electric performances of the stars are matched by the taut direction of Alex MacKendrick, the driving jazz score of Elmer Bernstein, and the evocative nocturnal camerawork of James Wong Howe. - by Hal Erickson - allmovie

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Manhattan (1979)

On the heels of Annie Hall, the Oscar-winning romantic comedy that rocketed Woody Allen to the front ranks of American filmmakers, Manhattan continued Allen's romantic obsessions in a slightly darker, more pessimistic vein. Allen stars as Isaac Davis, a TV comedy writer sick of the pap he is forced to churn out and harboring dreams of being the great American novelist. His love life is in barbed-wire territory: he is tormented by his second ex-wife Jill (Meryl Streep), a lesbian who has written a tell-all book about their marriage, and he is dating teenager Tracy (Mariel Hemingway), to whom he refuses to commit, and keeps hinting that a breakup may be imminent. (more)

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Days of Heaven (1978)

Terrence Malick's Days of Heaven, the long-awaited follow-up to his 1973 debut Badlands, confirmed his reputation as a visual poet and narrative iconoclast with a story of love and murder told through the jaded voice of a child and expressive images of nature. In 1916, Chicago steelworker Bill (Richard Gere, stepping in for John Travolta) flees to Texas with his little sister Linda (Linda Manz) and girlfriend Abby (Brooke Adams) after fatally erupting at his boss. Along with other itinerant laborers, they work the harvest at a wealthy, ailing farmer's ranch, but the farmer (playwright Sam Shepard) falls in love with Abby, and, believing her to be Bill's sister, asks the three to stay on at his elysian spread. Seeing it as his one real chance to escape perpetual poverty, Bill urges Abby to marry the sick man. Marriage, however, has more restorative powers, and the farmer has more magnetism, than Bill had planned. "Nobody's perfect," Linda impassively observes in one of her many voiceovers, after their brief paradise is erased by plagues of locusts, fire, and lethal jealousy. - by Lucia Bozzola - allmovie

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The Devil's Brigade (1968)

During the early days of World War II, while the United States was massing its forces for the war, England hastily plans commando raids against the German forces to keep them at bay until America's troops enter the war. As a part of this plan, the Allies create the 1st Special Service Force to plan and carry out an attack on Norway in order to tie up the German forces. This commando force of Canadian soldiers and American GIs is headed by Lt. Col. Robert T. Frederick (William Holden), a paper-pusher given his first field command. Antagonism immediately erupts between Canadian Maj. Alan Crown (Cliff Robertson) and American Maj. Cliff Bricker (Vince Edwards). But Frederick utilizes their mutual dislike as a basis for a rivalry that turns this rag-tag group of misfits into a disciplined fighting force. But now that Frederick's men are ready to fight, Frederick receives word that the Norway mission has been canceled. After appealing to Washington for another assignment for the commandos, the brigade is sent on a patrol near the German lines in southern Italy. The brigade captures an enemy-held village and is then given the seemingly impossible task of taking Mt. La Difensa. - by Paul Brenner - allmovie

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Fanny och Alexander (1982)

Though he made allusions to his own life in all of his films, Fanny and Alexander was the first overtly autobiographical film by Ingmar Bergman. Taking his time throughout (188 minutes to be exact), Bergman recreates several episodes from his youth, using as conduits the fictional Ekdahl family. Alexander, the director's alter ego, is first seen at age 10 at a joyous and informal Christmas gathering of relatives and servants. Fanny is Alexander's sister; both suffer an emotional shakedown when their recently-widowed mother (Ewa Froling) marries a cold and distant minister. Stripped of their creature comforts and relaxed family atmosphere, Fanny and Alexander suddenly find their childhood unendurable. The kids' grandmother (Gunn Wallgren) "kidnaps" Fanny and Alexander for the purpose of showering them with the first kindness and affection that they've had since their father's death. This "purge" of the darker elements of Fanny and Alexander's existence is accomplished at the unintentional (but applaudable) cost of the hated stepfather's life. Ingmar Bergman insisted that Fanny and Alexander, originally a multipart television series pared down to feature-film length, represented his "retirement" work, though within a year after its release he was busy with several additional Swedish TV projects. Oscars went to Fanny and Alexander for best foreign film, cinematography (Sven Nykvist), costumes and art direction/set decoration. - by Hal Erickson - allmovie

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The Wild Bunch (1969)

"If they move, kill 'em!" Beginning and ending with two of the bloodiest battles in screen history, Sam Peckinpah's classic revisionist Western ruthlessly takes apart the myths of the West. Released in the late '60s discord over Vietnam, in the wake of the controversial Bonnie and Clyde (1967) and the brutal "spaghetti westerns" of Sergio Leone, The Wild Bunch polarized critics and audiences over its ferocious bloodshed. One side hailed it as a classic appropriately pitched to the violence and nihilism of the times, while the other reviled it as depraved. After a failed payroll robbery, the outlaw Bunch, led by aging Pike Bishop (William Holden) and including Dutch (Ernest Borgnine), Angel (Jaime Sanchez), and Lyle and Tector Gorch (Warren Oates and Ben Johnson), heads for Mexico pursued by the gang of Pike's friend-turned-nemesis Deke Thornton (Robert Ryan). Ultimately caught between the corruption of railroad fat cat Harrigan (Albert Dekker) and federale general Mapache (Emilio Fernandez), and without a frontier for escape, the Bunch opats for a final Pyrrhic victory, striding purposefully to confront Mapache and avenge their friend Angel. - by Lucia Bozzola - allmovie

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Mulholland Dr. (2001)

David Lynch wrote and directed this look at two women who find themselves walking a fine line between truth and deception in the beautiful but dangerous netherworld of Hollywood. A beautiful woman (Laura Elena Harring) riding in a limousine along Los Angeles' Mulholland Drive is targeted by a would-be shooter, but before he can pull the trigger, she is injured when her limo is hit by another car. The woman stumbles from the wreck with a head wound, and in time makes her way into an apartment with no idea of where or who she is. As it turns out, the apartment is home to an elderly woman who is out of town, and is allowing her niece Betty (Naomi Watts) to stay there; Betty is a small-town girl from Canada who wants to be an actress, and her aunt was able to arrange an audition with a film director for her. (more)

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Cabinet des Dr. Caligari., Das (1920)

In one of the most influential films of the silent era, Werner Krauss plays the title character, a sinister hypnotist who travels the carnival circuit displaying a somnambulist named Cesare (Conrad Veidt). In one tiny German town, a series of murders coincides with Caligari's visit. When the best friend of hero Francis (Friedrich Feher) is killed, the deed seems to be the outgrowth of a romantic rivalry over the hand of the lovely Jane (Lil Dagover). Francis suspects Caligari, but he is ignored by the police. Investigating on his own, Francis seemingly discovers that Caligari has been ordering the somnambulist to commit the murders, but the story eventually takes a more surprising direction. Caligari's Expressionist style ultimately led to the dark shadows and sharp angles of the film noir urban crime dramas of the 1940s, many of which were directed by such German émigrés as Billy Wilder and Robert Siodmak. - by Hal Erickson - allmovie

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The Cowboys (1972)

In one of John Wayne's more interesting late Westerns, "The Duke" plays Will Anderson, a crusty veteran cattleman preparing a 400-mile drive to get a herd of steers to market. Shortly before the trip is scheduled to begin, Will's crew quits when they get word of a nearby gold strike. With little time and few alternatives, Will recruits eleven boys, ages nine through 13, and teaches them the basics of herding cattle and riding the range. Bruce Dern plays a memorably foul villain and cattle rustler named Long Hair, while Roscoe Lee Browne portrays Jebediah, the cattle drive cook, and Colleen Dewhurst is Kate, a madam. - by Mark Deming - allmovie

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The War of the Roses (1989)

Divorce lawyer Danny De Vito warns his prospective client that the story he's about to tell isn't a pretty one, but the client listens with eager intensity -- as do the folks out there in the movie in the audience. The War of the Roses can best be described as a slapstick tragedy concerning the decline and literal fall of a marriage. After 17 years, Oliver (Michael Douglas) and Barbara (Kathleen Turner) Rose want a divorce. (more)

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The Name of the Rose (1986)

Adapted from Umberto Eco's best-selling novel, director Jean-Jacques Annaud's The Name of the Rose is a 14th century murder-mystery thriller starring Sean Connery as a Sherlock Holmes-esque Franciscan monk called William of Baskerville. When a murder occurs at a secluded Benedictine Abbey, William is called in to investigate. As he and his apprentice, Adson von Melk (Christian Slater), delve deeper and deeper into the case, more dead bodies begin to turn up. Eventually, Bernardo Gui, an inquisitor played by F. Murray Abraham gets involved, but he may not have the best intentions. Sean Connery's performance earned him the award for Best Actor at the 1988 British Academy Awards. - by Matthew Tobey - allmovie

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Last Man Standing (1996)

The traditions of the western and the gangster film meet head-on in this dark crime drama. Jericho is a small town in Texas that in the 1920s looks much like it did in the 1860s, except that two violent gangs of rival bootleggers have driven away nearly all of the citizens not involved in the booze racket. Strozzi (Ned Eisenberg) leads a gang of Italian rum-runners with the help of his right-hand-man Giorgio (Michael Imperioli), while Doyle (David Patrick Kelly) is the head of an Irish mob, with Hickey (Christopher Walken) serving as his enforcer; the town's sheriff, Ed Galt (Bruce Dern) is powerless to stop the crime in Jericho, and he mainly tries to stay out of the way and keep an uneasy peace between Strozzi and Doyle. (more)

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Flawless (1999)

Can a homophobic former rent-a-cop find happiness learning to sing with a man in a dress? That's the big question in this comedy-drama. A retired security guard (Robert De Niro), deeply conservative and set in his ways, falls victim to a debilitating stroke. His doctors prescribe an extensive program of physical therapy once he's released from the hospital, including singing lessons to help him regain his full powers of speech. (more)

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Scent of a Woman (1992)

Driven by an extravagant, tour-de-force performance by Al Pacino, Scent of a Woman is the story of Frank Slade (Pacino), a blind, retired army colonel who hires Charlie Simms (Chris O'Donnell), a poor college student on the verge of expulsion, to take care of him over Thanksgiving weekend. At the beginning of the weekend, Frank takes Charlie to New York, where he reveals to the student that he intends to visit his family, have a few terrific meals, sleep with a beautiful woman and, finally, commit suicide. The film follows the mis-matched pair over the course of the weekend, as they learn about life through their series of adventures. Though the story is a little contrived and predictable, it pulls all the right strings, thanks to O'Donnell's sympathetic supporting role and Pacino's powerful lead performance, for which he won his first Academy Award. Scent of a Woman is based on the 1975 Italian film Profumo Di Donna. - by Stephen Thomas Erlewine - allmovie

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Total Eclipse (1995)

This historical drama, directed by Agnieszka Holland, focuses on the rocky relationship between the renowned 19th century French poets Arthur Rimbaud and Paul Verlaine. Rimbaud (Leonardo DiCaprio) is a teenage wunderkind known for his rebelliousness against conventional society and his surrealistic writing. He disrupts the life of Verlaine (David Thewlis), a more conventional writer who is older and married to a dutiful young wife, Mathilde (Romane Bohringer). The drunken Verlaine is unkind to Mathilde, even though her father is providing him with a house and an income to live on while he pursues his writing. Rimbaud overwhelms Verlaine, mocking his conventionality, constantly disrupting his domestic life, and somehow attracting the maniacal love of the older man. - by Michael Betzold - allmovie

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Modigliani (2004)

A gifted artist wages a personal war against his demons as well as a world that refuses to accept his creative vision in this biographical drama based on the true story of Amedeo Modigliani. Modigliani (Andy Garcia) was an Italian Jew who was living in Paris in the 1910s, when the city's bohemian community was in full flower. While Modigliani was a uniquely gifted painter and sculptor, his friend and rival Pablo Picasso (Omid Djalili) had already found fame and fortune; Modigliani's work had yet to reach a significant audience beyond the city's creative inner circle. (more)

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The Naked City (1948)

Young model Jean Dexter is knocked unconscious and drowned in her own bathtub in her Manhattan apartment, and a lot of jewelry that she supposedly owned is missing. The Naked City is actually about six days in the life of New York City that coincide with the murder and the subsequent investigation by Lt. Dan Muldoon (Barry Fitzgerald) and Detective James Halloran (Don Taylor). The account of their work, and the workings of the New York City police department, is interspersed with brief vignettes about the life of the city around them, and, especially, the reaction of residents to the murder and the newspaper reports of the progress of the case. (more)

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The Three Musketeers (1948)

The third talkie version of Dumas' The Three Musketeers, this splashy MGM adaptation is also the first version in Technicolor. Gene Kelly romps his way through the role of D'Artagnan, the upstart cadet who joins veteran Musketeers Athos (Van Heflin), Porthos (Gig Young) and Aramis (Robert Coote) in their efforts to save their beloved Queen Anne (Angela Lansbury) from disgrace. They are aided in their efforts by the lovely and loyal Constance (June Allyson), while the villainy is in the capable hands of Milady De Winter (Lana Turner) and Richelieu (Vincent Price). (more)

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Dial M for murder (1954)

Based on the popular mystery play by Frederick Knott, Dial M For Murder is more talky and stagebound than most Hitchcock films, but no less enjoyable. British tennis pro Ray Milland suspects that his wealthy wife Grace Kelly is fooling around with handsome American Robert Cummings. Milland blackmails a disgraced former army comrade (Anthony Dawson) into murdering Kelly and making it look like the work of a burglar. (more)

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Chelovek s Kino-Apparatom (1929)

Soviet director Dziga Vertov's experimental film grew out of his belief, shared by his editor, Elizaveta Svilova (who was also his wife), and his cinematographer, Mikhail Kaufman (also his brother), that the true goal of cinema should be to present life as it is lived. To that end, the filmmakers offer a day-in-the-life portrait of a city from dawn until dusk, though they actually shot their footage in several cities, including Moscow, Kiev, and Odessa. After an opening statement, there are no words in the film (neither voice-over nor titles), but the dazzling imagery, kinetically edited, is eloquent enough. (more)

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Nineteen Eighty-Four (1984)

Directed by British filmmaker Michael Radford, Nineteen Eighty-Four is the second film adaptation of the 1948 George Orwell novel. The film is set during April of 1984 in post-atomic war London, the capital city of the repressive totalitarian state of Oceania. Winston Smith (John Hurt) is a government bureaucrat whose job is rewriting history and erasing people from existence. (more)

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Excalibur (1981)

John Boorman directed this gloriously savage interpretation of Arthurian legend loosely based on Thomas Malory's novel Le Morte d'Arthur. By turns gleaming and filthy, tender and bloody, the film is a visually stunning epic which is never less than compelling. Nigel Terry is perfectly cast as Arthur, whose unwavering trust and faith are shown to be both quietly heroic and achingly naïve. (more)

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Frailty (2001)

Actor Bill Paxton made his directorial debut with Frailty. The bulk of the story is told through flashbacks, as a mysterious man (Matthew McConaughey) tells a terrible tale to an FBI agent (Powers Boothe) investigating the "God's Hand" serial killer case. The man grew up in a small town in Texas, where he and his brother lived a bucolic life with their kindhearted widower father (Paxton). One night, the father awakens the two boys, Fenton (Matthew O'Leary) and Adam (Jeremy Sumpter), and tells them he's had a vision, and God has chosen him and his sons to help Him slay demons who walk the earth in human form. He tells the boys they can never tell anyone about this task. (more)

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River's Edge (1986)

The nude, strangled body of a teenaged girl lies on the edge of the river. Her murderer is her boyfriend, Daniel Roebuck. All the kids in Roebuck's dismal, dead-end town know who committed the murder. Trouble is, no one bothers to turn Roebuck in; some of the teens don't know how to react to the crime, while others, strung out on drugs and booze, just don't give a damn. (more)

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Urban Cowboy (1980)

"You a real cowboy?" John Travolta traded disco for a mechanical bull in this adaptation by James Bridges and Aaron Latham of Latham's article on Western nightlife. Texas country boy Bud (Travolta) moves to Houston to work on an oil rig with his Uncle Bob (Barry Corbin), and he swiftly becomes indoctrinated in the nighttime rituals of drinking, dancing, and showing off cowboy duds at Gilley's, the enormous local honkytonk. There he meets and marries the sassy Sissy (Debra Winger), but the honeymoon quickly ends when Sissy starts spending too much time learning the men-only skill of mechanical bull-riding from ex-con Wes (Scott Glenn); Bud throws her out and hooks up with slumming Pam (Madolyn Smith). Under the paternal tutelage of Uncle Bob, Bud then learns not only how to master the bull but also what it takes to be a real man rather than just an ersatz cowboy. (more)

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Clash of the Titans (1981)

The eschewing of modern optical effects techniques in favor of the classic stop-motion animation work of special effects legend Ray Harryhausen was a delightful highlight of this action adventure that attempted to give Greek mythology the Star Wars (1977) treatment. Harry Hamlin stars as Perseus, a mortal who, due to the interference of the mighty God Zeus (Laurence Olivier), finds himself in the city of Joppa, far away from his island home. There, he falls in love with Andromeda (Judi Bowker), an imprisoned princess. To free her, win her hand, and thus half of the kingdom, Perseus solves a riddle, but Joppa's enraged ruler orders Andromeda fed to the Kraken, a towering sea monster that's the last of the powerful Titans. In his quest to save Andromeda, Perseus must endure a series of t