Flight Of The Phoenix (1965)

Based on Elleston Trevor's novel, The Flight of the Phoenix opens with a well-staged plane crash in the middle of the Sahara desert. The pilot (James Stewart) and the navigator (Richard Attenborough) do their best to maintain order among the survivors, a group of oil men not well-suited for survival in the desert wastes. Some of those who appear to be the most resourceful reveal themselves to be inept or cowardly, while other less prepossessing types -- notably bespectacled Standish (Dan Duryea) -- demonstrate surprising inner reserves of strength. The ultimate fate of the survivors rests in the hands of Heinrich Dorfmann (Hardy Kruger), who uses the wreckage of the old plane to design a new one. The Flight of the Phoenix was dedicated to the memory of veteran stunt pilot Paul Mantz, who was killed while filming the take-off scene of the new plane. - by Hal Erickson - allmovie

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White Hunter Black Heart (1990)

Something of a sleeper in its 1990 release, White Hunter, Black Heart is one of Clint Eastwood's most engaging films. It is based on Peter Vietel's novel about the location shoot of John Huston's immortal The African Queen. But the focus is never on Bogie and Hepburn. Egomaniacal director John Wilson (Eastwood) is far more interested in killing an elephant than in making a movie. His old friend and scriptwriter Pete Verrill (Jeff Fahey) and his producer, Paul Landers (George Dzundza), are on hand to try and talk him down from this pursuit. Eastwood's verbose, outlandish performance will be particularly remarkable to fans who tend to think of him as the soft-spoken tough guy. - by John Voorhees - allmovie

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Badlands (1973)

"He wanted to die with me and I dreamed of being lost forever in his arms." A young couple goes on a Midwest crime spree in Terrence Malick's hypnotically assured debut feature, based on the 1950s Starkweather-Fugate murders. Fancying himself a rebel like James Dean, twentysomething Kit (Martin Sheen) takes off with teen baton-twirler Holly (Sissy Spacek) after shooting her father (Warren Oates) when he tries to split the pair up. Once bounty hunters discover their riverside hiding place, Kit and Holly head toward Saskatchewan, leaving dead bodies in their wake. As the law closes in, however, Holly gives herself up -- but Kit doesn't hold it against her, as he basks in his new status as a momentary folk hero. (more)

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The Three Musketeers (1948)

The third talkie version of Dumas' The Three Musketeers, this splashy MGM adaptation is also the first version in Technicolor. Gene Kelly romps his way through the role of D'Artagnan, the upstart cadet who joins veteran Musketeers Athos (Van Heflin), Porthos (Gig Young) and Aramis (Robert Coote) in their efforts to save their beloved Queen Anne (Angela Lansbury) from disgrace. They are aided in their efforts by the lovely and loyal Constance (June Allyson), while the villainy is in the capable hands of Milady De Winter (Lana Turner) and Richelieu (Vincent Price). (more)

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Excalibur (1981)

John Boorman directed this gloriously savage interpretation of Arthurian legend loosely based on Thomas Malory's novel Le Morte d'Arthur. By turns gleaming and filthy, tender and bloody, the film is a visually stunning epic which is never less than compelling. Nigel Terry is perfectly cast as Arthur, whose unwavering trust and faith are shown to be both quietly heroic and achingly naïve. (more)

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Clash of the Titans (1981)

The eschewing of modern optical effects techniques in favor of the classic stop-motion animation work of special effects legend Ray Harryhausen was a delightful highlight of this action adventure that attempted to give Greek mythology the Star Wars (1977) treatment. Harry Hamlin stars as Perseus, a mortal who, due to the interference of the mighty God Zeus (Laurence Olivier), finds himself in the city of Joppa, far away from his island home. There, he falls in love with Andromeda (Judi Bowker), an imprisoned princess. To free her, win her hand, and thus half of the kingdom, Perseus solves a riddle, but Joppa's enraged ruler orders Andromeda fed to the Kraken, a towering sea monster that's the last of the powerful Titans. In his quest to save Andromeda, Perseus must endure a series of trials with the help of the winged horse Pegasus and a friendly playwright, Ammon (Burgess Meredith). His ultimate goal is to secure the head of the grotesque Gorgon named Medusa and use it to turn the Kraken into stone, but dangers await, including the hideously deformed Calibos (Neil McCarthy). - by Karl Williams - allmovie

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Little Big Man (1970)

Recounting how the West was won through the eyes of a white man raised as a Native American, Arthur Penn's 1970 adaptation of Thomas Berger's satirical novel was a comic yet stinging allegory about the bloody results of American imperialism. As a misguided 20th-century historian listens, 121-year-old Jack Crabb (Dustin Hoffman) narrates the story of being the only white survivor of Custer's Last Stand. (more)

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The Ghost and the Darkness (1996)

A man bringing modern transportation to the ancient jungles of Africa discovers one of man's oldest enemies lays in wait for him in this period adventure drama. John Beaumont (Tom Wilkinson) is the owner of a British railroad firm who is building a rail line through Uganda. A bridge is needed so that the tracks may cross a large river, and engineer John Henry Patterson (Val Kilmer) is summoned to the African nation to supervise construction. While Beaumont has placed Patterson under a strict deadline, the bridge designer is certain that with his guidance, the local laborers will be able to complete the job in time. (more)

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Jamaica Inn (1939)

Alfred Hitchcock directed this disappointing misfire, memorable solely for the fact is that it is the final film from Hitchcock's early British period before he left for the Hollywood studio system and David O. Selznick. In the England of the 1800s, a group of ruthless smugglers, led by Sir Humphrey Pengallon (Charles Laughton), prey on ships by blacking out warning signals. When the ships crash on the rocks, the nefarious group loots the remains and kills the sailors. (more)

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Old Yeller (1957)

Based on the novel by Fred Gipson, the story is set in Texas in 1869. While his father is away on a cattle drive, 15-year-old Tommy Kirk takes over management of the family farm. Adopting a "strictly business" policy, Kirk is irritated when younger brother Moochie Corcoran adopts a frisky stray dog. But soon Kirk is as fond of the dog as everyone else in the family; moreover, "Old Yeller" is an excellent watchdog. But while fighting off a mad wolf, Yeller is infected with rabies. Though Yeller seems unaffected at first, he eventually behaves so viciously that the disheartened Kirk has no choice but to shoot the dog. (more)

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Ben-Hur (1959)

This 1959 version of Lew Wallace's best-selling novel, which had already seen screen versions in 1907 and 1926, went on to win 11 Academy Awards. Adapted by Karl Tunberg and a raft of uncredited writers including Gore Vidal and Maxwell Anderson, the film once more recounts the tale of Jewish prince Judah Ben-Hur (Charlton Heston), who lives in Judea with his family during the time that Jesus Christ was becoming known for his "radical" teachings. (more)

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Shaft in Africa (1973)

While in Africa, John Shaft is persuaded by threats of physical force, the promise of money, and the lure of a pretty tutor, to assume the identity of a native-speaking itinerant worker in the country. His job is to help break a racket that is smuggling immigrants into Europe then exploiting them. But the villains have heard that he is on his way.

Shaft must pass a test before being hired for the job; the test involves him surviving in a small, overheated room without water, and a floor covered in deep sand, mimicking the supposed conditions of Africa. Shaft ingeniously covers himself with the sand, thereby avoiding heatstroke and winning the contract from his employer.

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The Battle of the River Plate (1956)

The Battle of the River Plate is a 1956 film by the British-based director-writer team of Powell & Pressburger. In the United States the film was retitled Pursuit of the Graf Spee.
The film portrays the Battle of the River Plate, a naval battle of 1939, between a Royal Navy force of three cruisers (HMS Exeter, HMS Ajax and HMS Achilles) and the German pocket battleship Admiral Graf Spee.
Unlike many British war movies of its time, The Battle of the River Plate treats the Germans as honourable opponents rather than as cardboard cut-out "Huns". This was a recurrent theme in Powell and Pressburger's films, including The Life and Death of Colonel Blimp.

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Captain Blood (1935)

Captain Blood is a 1935 swashbuckling film made by First National Pictures and Warner Brothers. It was directed by Michael Curtiz and produced by Harry Joe Brown and Gordon Hollingshead with Hal B. Wallis as executive producer. The screenplay, written by Casey Robinson, is based on the novel of the same name by Rafael Sabatini. It features a stirring musical score by Erich Wolfgang Korngold. Some of the impressive sea-battle footage was taken from The Sea Hawk (1924).

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Wagon's East (1994)

Comedian John Candy, who died during the making of this poorly received comic western, plays James Harlow, a 19th century wagon master who is heading back east with a wagon train full of oddball characters who have had their fill of Western life.
This "backwards" western directed by Peter Markle, was based on a story by Jerry Abrahamson.

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Maverick (1994)

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Portuguese subtitles

Apocalypse Now (1979)

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The Old Man & The Sea (1958)

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Based on the classic, Pulitzer Prize winning novel of the same name by Ernest Hemingway.

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Six Days Seven Nights (1998)

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The Mummy Returns (2001)

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