Au Hasard Balthazar (1966)

A profound masterpiece from one of the most revered filmmakers in the history of cinema, director Robert Bresson’s Au hasard Balthazar follows a much abused donkey, Balthazar, whose life strangely parallels that of his first owner, Marie. A beast of burden, suffering the sins of man, Balthazar nevertheless nobly accepts his fate. Through Bresson’s unconventional approach to composition, sound, and narrative, this seemingly simple story becomes a moving religious parable of purity and transcendence.

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Lancelot du Lac (1974)

Lancelot du Lac is 1974 film that was written and directed by Robert Bresson. It is based on Arthurian legend, and is told in a highly stylistic manner. It relates the story of Lancelot and Guinevere's love, as Camelot and the Round Table fall apart. It is also based on medieval romances, especially the Lancelot-Grail cycle, and the works of Chrétien de Troyes.

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Quatre Nuits d'un Rêveur (1971)

Quatre nuits d'un rêveur is Robert Bresson’s melancholic and highly individual ode to young love. More of a visual poem than a piece of drama, it is made in the cold minimalist style of the director’s later works, yet it is profoundly moving in its humanity and perceptiveness. As in all Bresson’s films, the actors were trained to give unemotional performance, and whilst this would at first appear strange for a love story, it actually serves the film well. By playing down the outwards signs of love, the film gives us a keener insight into how it affects the soul. As is typical of Bresson’s cinema, we are drawn to matters spiritual rather than things corporal, and the result is one of his most stirring, and surprising, works.

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